海神加速器免费试用-快连加速器app

Let there be songs to fill the air: It’s the birthday of Jerome John “Jerry” Garcia. The Grateful Dead leader would be celebrating his 78th trip around the sun today. Although a quarter of a century has passed since Garcia passed away (on August 8th), there’s no need to revive his work: his music did not fade away in the first place. In fact, Garcia’s songs and his approach to improvisation seem as relevant and contemporary as ever.

A small number of his songs (co-writes with lyricist Robert Hunter) are fixtures in the American songbook, just as surely as those of Stephen Foster, Woody Guthrie, and Hank Williams. That alone is a pretty big deal. But in terms of covers, you’d be hard pressed to name any musician who gave more life to other people’s music than Jerry Garcia. He attracted millions of listeners with his own original songs and his trippy way with a guitar solo, but Garcia then guided that listenership toward a much wider world of music beyond the songs of his own.
Continue reading »

Check out the best covers of past months here.

The Band Of Heathens ft. Margo Price – Joy (Lucinda Williams cover)

Promoting her new album 绿色上网PC端_python实现绿色上网-教育其他资源-CSDN下载:2021-3-30 · 绿色上网家长控制版 下载 PC端好用的小说阅读器 PC端好用的小说阅读器 下载 云计算绿色上网平台 云计算绿色上网平台 下载 微信 2.6.8.52 PC端多开防撤回绿色版 微信 2.6.8.52 PC端多开防撤回绿色版 下载 安卓与pc端进行连接 安卓与pc端进行连接 下载, Margo Price has been on a great covers kick. She recently tackled 老王科学的上网工具下载 at the Grand Ole Opry, Bob Dylan on CBS, and John Lennon from her house. Now she’s teamed up with Band of Heathens to cover a Lucinda Williams classic. To quote Lucinda on Instagram, “Get to Slidell, girl!!” Continue reading »

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Despite the fact that Barry, Robin, and Maurice Gibb have sold upwards of 120 million records, they can sometimes seem oddly underrated. They aren’t regarded with the reverence afforded to other artists that emerged during roughly the same era, like The Stones or The Who. They haven’t generated the same level of dramatic intrigue as Elton John or Queen. And discovering their music was never part of some traditional teenage rite of passage like Pink Floyd or Led Zeppelin. But while they don’t seem to receive near the same level of acclaim as the aforementioned artists, their music has remained as utterly ubiquitous as just about all of them. There are few other artists as essential to documenting the sound of an era as The Bee Gees were to the late ’70s.

Throw Here At Last…Bee Gees… Live album from 1977 on the turntable or queue up the stream. You will be confronted with a veritable assembly line of perfectly constructed, exquisitely performed pop songs. Take a step back and really listen. The outlandish songwriting gift on display is nothing short of mind-blowing, You might think, how is it even possible to have written this many incredible songs? And those are just 20 or so selected tracks Barry, Robin, and Maurice had done up to that point – before Saturday Night Fever! There were dozens more to come.

We were overwhelmed by the number of incredible covers of both Bee Gees classics and deep cuts and their glorious diversity. But we really shouldn’t have been surprised. Despite the band itself not always getting its due, the Bee Gees’ songs remain for everyone and forever.

– Hope Silverman

The list begins on Page 2.

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

How many Mark Lanegans there are, I guess, depends largely on where you heard him first. For some it will have been the angry grunge of Screaming Trees; for others, the desert stoners of Queens of the Stone Age, or even the badass bromance of the Gutter Twins. Or they may, like me, have arrived from an altogether opposite direction, the low-fi acoustic of his duo work with Isobel Campbell, doe-voiced folkstrel and onetime cellist from Glasgow’s Belle and Sebastian. Other outliers will have been drawn in by the gospelectronica, if you will, of Soulsavers. Plus there will have been all those, suddenly marveling at his soundtrack tones, stamping over any number of films or boxsets.

But, once heard, that voice sticks. Memorably once described as being like a three-day stubble, it imprints, demanding both attention and immersion. And if the directions take you outa your usual safety genres, too bad; you go, you follow, opening new vistas on the way. Oh, and if you haven’t yet discovered Mark Lanegan, what are you waiting for?
Continue reading »

Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.

Dolly Parton – the fourth of twelve children, a philanthropist, actor, and musician with 50+ studio albums to date – has been releasing and writing music since she was ten. On October 15th, 1973, she released the single, “Jolene,” from her upcoming album of the same name. It became her second number-one single as a solo artist on the country charts, and upon its UK release in 1976, it was a top-ten hit in the UK Singles Charts. 上网科学工具pc端下载

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Crosby, Stills and Nash had already staked their claim as a bona fide supergroup courtesy their first release, cemented by their appearance in the Woodstock documentary. Of course, Neil Young had already joined the band by the time they got there, if mysteriously missing from the film in its initial iteration. His second gig, he appeared for the electric second part of the set. To me he always seemed their secret weapon. Old compadre and sparring partner of Stephen Stills in Buffalo Springfield, there was always the fear he could engineer the gig to being as big a draw in his own right as the trio he joined. Maybe he did; however much I loved the trio, they were always in a different league with Young’s fiery presence on board.

Deja Vu came out in 1970, after being put together in different studios and at different times, with only selections of the four featuring at any one time. All the vocals save “Woodstock” were recorded separately and then spliced together, amid much argument and revision. Young did everything on the half of the album he appears on all by himself, then took away the contributions of the others to mix as he saw fit. Completion took hours, days and weeks.

But it was all worth it. Somehow Deja Vu holds together cohesively, in no small part down to the rhythm section, the excellent Dallas Taylor and Greg Reeves. Certified gold within a fortnight, partly on the back of $2 million presales, it spent nearly two years in the Billboard chart, despite largely grudging and lackluster reviews. It still seems the pinnacle of their collective career, the only real instance wherein the deceitful artifice of any group collective manages fully to convince, melding individual directions with a combined corporacy.

Like most of our Full Cover posts, we have near-endless options for some songs and had to go scrounging for others – no trouble finding covers of “Teach Your Children,” but how many versions of “Everybody I Love You” have you heard? See what you think of the ten songs we pulled together here…
Continue reading »